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Vocal students train in opera’s homeland

Students from the Wanda Bass School of Music were treated to a learning experience of a lifetime as participants in the summer  festival in Italy, the country of origin for opera.

鶹ý City University had the largest representation of any college with 15 students and one faculty member — vocal coaching professor Dr. Sara Chiesa. Approximately 50 students from all over the world attended the festival’s 25th annual academy, held in the small city of Novafeltria between Florence and Italy’s eastern coast.

“I was routinely told of how professional the students from 鶹ý were,” Chiesa said. “They presented so well in all they did, from auditions to the final performances.”

That’s high praise considering the standards for incoming La Musica Lirica students. The academy “is for advanced singers that are ready to begin or have already started a professional career,” according to its recruitment materials.

The facility operates as the Voci nel Montefeltro music school in the fall and spring academic semesters. Come summer, La Musica Lirica takes over with a five-week intensive summer training academy, culminating in public performances in some of the most historic venues in the region.

The rehearsals are run on a professional level. Faculty members with professional experience are often part of the cast.

During the first four weeks, participants receive up to 20 hours of Italian language per week, two half-hour weekly coaching sessions with Rossini Opera Festival coaches, and two 45-minute voice lessons per week. During the fifth week of the program, students participate in master 鶹ý with the resident faculty. Participants can try out for roles in up to two of the four fully staged performances with professional orchestras.

鶹ý hosted La Musica Lirica General Director Brygida Bziukiewicz Kulig during the 2023 fall semester to audition 30 students in a Bass Music Center faculty studio. Chiesa noted that the sessions often developed into a veritable one-on-one masterclass with each rehearsing student.

Accepted students confirmed their intent to attend the academy early in the following spring semester, then came up with their travel plans and funds to get to Italy.

鶹ý junior Kaytlyn Eagleton attended this summer, thanks in part to generous support from the Muscogee (Creek) Nation. The musical theater major said she was a bit nervous at first since it would be her first trip out of the country, but her experience was so overall positive that she is hoping to take a return trip to Italy sometime after graduation.

Coming from rural Inola, 鶹ý, Eagleton said the smaller, charming city of Novafeltria was the perfect environment to learn her craft. 

“It kind of felt like the Inola of Italy,” she said. 

The smaller size allowed students to get to know the shopkeepers, clerks and other locals on a personal basis, and pick up some informal language instruction along the way. Eagleton made friends with the proprietor of the pizza shop next to the school and learned the proper Italian way to order a pepperoni pie.

“Mobo ran it, and he was such a funny, friendly guy,” she said. “Every day, walking by, we’d see the same Mobo out front saying ‘ciao’ to everyone.”

They also got to travel to other nearby towns and cities. There were day-long excursions to Florence and Venice, and those who built extra days into their itineraries were able to explore Rome. Most participants fly into and out of the nation’s capital, which is a six-hour bus ride from Novafeltria. 

But the crux of the trip is the intense and immersive training in opera and Italian. Eagleton noted the inherent pressures and rewards of performing an Italian classic in an Italian venue in front of an Italian audience.

“Opera is so much a part of the culture there. They know all the words to all the songs. You can see them mouthing the words during performances,” she said.

One of two roles Eagleton played was La Zia Principessa in “Sour Angelica.” One of the venues they staged it in was an actual historical convent, the primary setting in Puccini’s classic. They also staged it in the oldest wooden theatre in Italy, Teatro Angelo Mariani in Sant'Agata Feltria.

Eagleton reflected on the overall “beautiful and loving” experience from arrival to departure. She fondly recalled when the buses rolled into the piazza in front of the school on the first day. The restaurants had their patio tables set and ready for the new guests, and the sidewalks were lined with welcoming locals.

“It felt like for them, the summer begins when the students get there,” she said. “The whole town made us feel like we were right at home.”

Eagleton said the welcoming environment served the students well as they learned alongside fellow students from all over the world, an opportunity she hadn’t dreamed of growing up in rural 鶹ý. 

“There isn’t much access to classical music in Inola. Before this, I never would have expected to jump on a plane and go to Italy,” she added. “But I figured I might as well go for it. What’s there to lose?”

Kaytlyn Eagleton 
'Sour Angelica'

 

Two 鶹ý students — James Pendergast and Mabel Tyler, pictured above — were invited to perform contemporary musical theater selections during the festival’s special gala held in honor of its 25th anniversary.

Other 鶹ý students who attended the festival were:

  • Olivia Davis-Eagan
  • Meredith Dorbin 
  • Sareena Hampton
  • Livvy Hartshorn
  • Brianna Holt
  • Hannah Kurowski
  • MK Lee
  • Andrew Massey 
  • Nick Montgomery 
  • Madi Spear
  • Alayna Watkins
  • Rachel Whatley

 

For more information about 鶹ý’s opera and music theater programs, including the current show schedule, visit okcu.edu/music.

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